
The Centre for Sociology of Democracy studies democracy in modern societies. Our projects deal with democracy from different perspectives and with different methods.
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In his dissertation, Tomi Lehtimäki examines organic agriculture and the attempts to transform agricultural systems into more ecological and sustainable forms.
Koronapandemian synnyttämä kriisi on runnellut pahoin kulttuurialaa, josta on tullut maailmanlaajuisesti yksi eniten pandemiasta kärsineistä aloista. Lotta Junnilaisen tutkimuksessa tarkastellaan kulttuurialan itsensätyöllistäjien asemaa palkkatyösuhteiden ulkopuolella.
Artikkelissa esitetään Boltanskin ja Thévenot’n oikeuttamisteoriaan sekä Eeva Luhtakallion ja Tuomas Ylä-Anttilan kehittämään julkisen oikeuttamisen analyysiin (JOA)
perustuva metodi, joka havainnollistaa ja visualisoi moraalisen oikeuttamisen kategorioiden verkostoitumista.
The war in Ukraine has evoked immediate gut reactions from a distant, yet very mobilizable collective memory reserve in Finland: Russia, again. And: Are we next? We have certainly seen this one before, even though nobody wanted to see it coming this time.
Activists participating in the environmental movement Elokapina see the sharing of images and videos in social media as a tool to tell people about daily protest activities, challenge the perceptions that people have of demonstrators and reach a wider audience for their message than would be possible through physical demonstrations. However, the personal nature of social media may also give rise to feelings of inadequacy and expose activists to strong negative attention.
In his dissertation Georg Boldt identified four individual level outcomes of youth participation.
Planeetan kokoinen arki auttaa ymmärtämään, miten moninaisilla tavoilla jokapäiväinen elämä, sitä määrittävä politiikka sekä taustalla vaikuttavat ajattelutavat kytkeytyvät ympäristökriiseihin.
In their article, Carla Malafaia and Taina Meriluoto explore how young activists in Portugal and Finland negotiate the value of social media in their practices.
The war in Ukraine and its refugees have evoked a wave of compassion among Europeans, to an extent that has not been seen with people fleeing the war in Syria, for instance. An overview of social media content illustrating the war helps us understand how the visualisation of the war influences people’s perceptions and attitudes towards Ukrainians. By emphasising the Europeanness of Ukraine, the threat posed by Russia and the clear moral set-up of the war, the images bring Ukrainian fates closer and make them grievable.
In his article, Georg Boldt examines the genealogy of democratic participation.
The self in selfies—Conceptualizing the selfie-coordination of marginalized youth with sociology of engagements
In her article, Taina Meriluoto conceptualizes selfies as reflexive practices of self-coordination, and develops an analytical framework adapted from the literature of sociology of engagements for their analysis.

This article develops a theory of selfies as reflexive practices of self-coordination. Building on pragmatist sociology of engagements, I conceptualize selfies as digital practices of coordinating with the self in formats that are recognizable for others. This framework allows approaching the self as an act of coordination, simultaneously shaped by, and equipped to subvert the cultural conditions of how we ought to be. As these conditions are increasingly enforced and negotiated in the socio-technological arrangements of digital platforms, the article proposes an approach for making sense of selfies as key contemporary tools of self-making. Based on ethnographic work among activists with marginalizing experiences, I ask how the self is coordinated in the activists’ selfies. I identify four ways of coordinating with the self in selfies: the self in a plan, the self in exploration, the affirmed self, and the self as public critique. The article contributes to our understanding on how practices of self-making evolve in an increasingly visual-digital society, and provides an approach for conceptualising the self as plural. By approaching the selfie as different formats of relating to the self, the framework proposed accounts for the possibility of multiple selves now afforded by digital technologies and enables analysing their politicizing potential.
The article is published open access and is available here