The Centre for Sociology of Democracy studies democracy in modern societies. Our projects deal with democracy from different perspectives and with different methods.
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In her article, Carla Malafaia studies how youths manage their activism and argues that activists construct margins of resistance in their political practices by incorporating processes that interrupt adult structures while reframing educational imagination.
In their article, by augmenting Mouffe’s agonistic pluralism with Thévenot’s pragmatic sociology, Veikko Eranti and Taina Meriluoto develop both an analytical framework for a more nuanced study of urban politics as sites of democracy and a detailed conceptualization of pluralism in democracy.
In their article, Eeva Luhtakallio and Taina Meriluoto argue that a fame-based logic has become dominant in the strategies of actors in many different situations concerning political action in public. By recognizing the fame-based values informing public action with a pragmatist approach, they argue that a wider variety of action can be recognized as public action and the normative foundations that inform people’s action in public can be interrogated.
In their article, Luhtakallio, Ylä-Anttila and Lounela compare the efforts of civil society organizations to influence climate change policymaking in three countries with very different traditions of democratic decision making.
In her article, Taina Meriluoto conceptualizes selfies as reflexive practices of self-coordination, and develops an analytical framework adapted from the literature of sociology of engagements for their analysis.
What are the next walls to fall in science and society? Led by this question, the brightest minds from the international scientific community submitted their groundbreaking projects for the prestigious Falling Walls Science Breakthrough of the Year 2022.
In their article, Luhtakallio and Meriluoto argue that two significant shifts, namely, the blurring of lives offline and online and the increasing significance of the visual character of these lives, pose new challenges to social science research methods.
Julkisuuteen noussut kohu on keskittynyt pääasiassa yhden suuren ketjuravintolan toimintakulttuuriin, mutta Lotta Junnilaisen ja Lotta Haikkolan haastatteluiden perusteella ongelmat eivät koske yksittäistä pikaruokaketjua, vaan ravintola-alaa laajemminkin.
Kahdeksan kuplan Suomi kuvaa talouden murrosten silmässä elävien ihmisten kokemuksia itsestään ja yhteiskunnasta: sitä, mitä he odottavat itseltään ja toisiltaan. Se kertoo myös tahdosta ja tunteista, jotka sitovat ihmisiä yhteen. Millaista tarinaa suomalaiset kertovat itsestään, ja millaisia tunteita tarinaan liittyy? Kuulemmeko ja ymmärrämmekö toistemme tarinoita?
Linda Haapajärven, Jutta Juveniuksen ja Lotta Junnilaisen artikkeli valittiin Sosiologia-lehden toimituskauden 2020-2021 parhaan artikkelin palkinnon voittajaksi.
The self in selfies—Conceptualizing the selfie-coordination of marginalized youth with sociology of engagements
In her article, Taina Meriluoto conceptualizes selfies as reflexive practices of self-coordination, and develops an analytical framework adapted from the literature of sociology of engagements for their analysis.
This article develops a theory of selfies as reflexive practices of self-coordination. Building on pragmatist sociology of engagements, I conceptualize selfies as digital practices of coordinating with the self in formats that are recognizable for others. This framework allows approaching the self as an act of coordination, simultaneously shaped by, and equipped to subvert the cultural conditions of how we ought to be. As these conditions are increasingly enforced and negotiated in the socio-technological arrangements of digital platforms, the article proposes an approach for making sense of selfies as key contemporary tools of self-making. Based on ethnographic work among activists with marginalizing experiences, I ask how the self is coordinated in the activists’ selfies. I identify four ways of coordinating with the self in selfies: the self in a plan, the self in exploration, the affirmed self, and the self as public critique. The article contributes to our understanding on how practices of self-making evolve in an increasingly visual-digital society, and provides an approach for conceptualising the self as plural. By approaching the selfie as different formats of relating to the self, the framework proposed accounts for the possibility of multiple selves now afforded by digital technologies and enables analysing their politicizing potential.
The article is published open access and is available here
